Two minutes and seventeen seconds that changed the world
Suddenly, without warning, all seven billion people on Earth black out for more than two minutes. Millions die as planes fall from the sky, people tumble down staircases, and cars plow into each other.
But that’s the least of the survivors’ challenges. During the blackout, everyone experienced a glimpse of what his or her future holds—and the interlocking mosaic of these visions threatens to unravel the present.
What would you do if you got a glimpse of your own personal future and it looked bleak? Try to change things, or accept that the future is unchangeable and make the best of it? In Flashforward, Nobel-hungry physicists conducting an unimaginably high-energy experiment accidentally induce a global consciousness shift. In an instant, everyone on Earth is "flashed forward" 21 years, experiencing several minutes of the future. But while everyone is, literally, out of their minds, their bodies drop unconscious; when the world reawakens, car wrecks, botched surgeries, falls, and other mishaps add up to massive death and destruction. A science experiment that unwittingly shuts down all human consciousness for two minutes is the catalyst for a creative exploration of fate, free will and the nature of the universe in Sawyer's soul-searching new work (after Factoring Humanity). In April 2009, Lloyd and Theo, two scientists at the European Organization for Particle Physics (CERN), run an experiment that accidentally transports the world's consciousness 20 years into the future. When humanity reawakens a moment later, chaos rules. Vehicles whose drivers passed out plow into one another; people fall or maim themselves. But that's just the beginning. After the horror is sorted out, each character tries desperately to ensure or avoid his or her future. Trapped by his guilt for causing so much destruction and driven by a need to rationalize, Lloyd tries to prove that free will is a myth. Theo discovers that he will be murdered and begins to hunt down his killerAtempting fate as in the Greek dramas of his ancestors. Some people start on their appointed roads early, others give up on life because of what they've seen. Using a third-person omniscient narrator, Sawyer shifts seamlessly among the perspectives of his many characters, anchoring the story in small details. This first-rate, philosophical journey, a terrific example of idea-driven SF, should have wide appeal. (June) FYI: Sawyer is the president of the Science Fiction Writers of America.Copyright 1999 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.
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